# cintiasegovia ## Posts - [Hello world!](https://cintiasegovia.com/hello-world/): Welcome to WordPress. This is your first post. Edit or delete it, then start writing! - [](https://cintiasegovia.com/147-2/): Explore the different galleries of Cintia Segovia. Click on the images to go to the series. ## Pages - [My account](https://cintiasegovia.com/my-account/): My Account Home Shop My account Dashboard Orders Downloads Addresses Account Details Logout Hello (not ? Log out) From your account dashboard you can view your recent orders, manage your shipping and billing addresses, and edit your password and account details. - [Checkout](https://cintiasegovia.com/checkout/): Checkout Home Shop Checkout Billing Details First Name * Last Name * Country / Region *Select a country / region…AfghanistanÅland IslandsAlbaniaAlgeriaAmerican SamoaAndorraAngolaAnguillaAntarcticaAntigua and BarbudaArgentinaArmeniaArubaAustraliaAustriaAzerbaijanBahamasBahrainBangladeshBarbadosBelarusBelauBelgiumBelizeBeninBermudaBhutanBoliviaBonaire, Saint Eustatius and SabaBosnia and HerzegovinaBotswanaBouvet IslandBrazilBritish Indian Ocean TerritoryBruneiBulgariaBurkina FasoBurundiCambodiaCameroonCanadaCape VerdeCayman IslandsCentral African RepublicChadChileChinaChristmas IslandCocos (Keeling) IslandsColombiaComorosCongo (Brazzaville)Congo (Kinshasa)Cook IslandsCosta RicaCroatiaCubaCuraçaoCyprusCzech RepublicDenmarkDjiboutiDominicaDominican RepublicEcuadorEgyptEl SalvadorEquatorial GuineaEritreaEstoniaEswatiniEthiopiaFalkland IslandsFaroe IslandsFijiFinlandFranceFrench GuianaFrench PolynesiaFrench Southern TerritoriesGabonGambiaGeorgiaGermanyGhanaGibraltarGreeceGreenlandGrenadaGuadeloupeGuamGuatemalaGuernseyGuineaGuinea-BissauGuyanaHaitiHeard Island and McDonald IslandsHondurasHong KongHungaryIcelandIndiaIndonesiaIranIraqIrelandIsle of ManIsraelItalyIvory CoastJamaicaJapanJerseyJordanKazakhstanKenyaKiribatiKuwaitKyrgyzstanLaosLatviaLebanonLesothoLiberiaLibyaLiechtensteinLithuaniaLuxembourgMacaoMadagascarMalawiMalaysiaMaldivesMaliMaltaMarshall IslandsMartiniqueMauritaniaMauritiusMayotteMexicoMicronesiaMoldovaMonacoMongoliaMontenegroMontserratMoroccoMozambiqueMyanmarNamibiaNauruNepalNetherlandsNew CaledoniaNew ZealandNicaraguaNigerNigeriaNiueNorfolk IslandNorth KoreaNorth MacedoniaNorthern Mariana IslandsNorwayOmanPakistanPalestinian TerritoryPanamaPapua New GuineaParaguayPeruPhilippinesPitcairnPolandPortugalPuerto RicoQatarReunionRomaniaRussiaRwandaSão Tomé and PríncipeSaint BarthélemySaint HelenaSaint Kitts and NevisSaint LuciaSaint Martin (Dutch part)Saint Martin (French part)Saint Pierre and MiquelonSaint Vincent and the GrenadinesSamoaSan MarinoSaudi ArabiaSenegalSerbiaSeychellesSierra LeoneSingaporeSlovakiaSloveniaSolomon IslandsSomaliaSouth AfricaSouth […] - [Cart](https://cintiasegovia.com/cart/): Your Cart Home Shop Cart Remove item Thumbnail image Product Price Quantity Subtotal × I feel I need $85.00 I feel I need quantity $170.00 × Espacio $135.00 Espacio quantity $135.00 × Quinceañera $85.00 Quinceañera quantity $85.00 Apply coupon Cart Totals Subtotal $390.00 Total $390.00 Proceed to Checkout - [Shop](https://cintiasegovia.com/shop/) - [New Home](https://cintiasegovia.com/): Representation Tumbler View More Mercado View More Tabacaleros View More Trotamundos View More Tacometer View More 3.71 Miles A Day View More A Big Beatuiful Wall View More Alternative Futures View More De Chile Mole Y Dulce View More Gato Encerrado View More Idols And The Vernacular View More Habla Bien Cabron View More Heads Of State View More Ritual Of Judgement View More Swallow It View More Latest Products See More - [Home](https://cintiasegovia.com/home-2/) - [Representation tumbler](https://cintiasegovia.com/representation-tumbler/): I created these images looking at XVII European art and reimagined it through my lens. “Senorita with a flag,” photograph, 2025, 8×10″ This picture reflects my developing sense of self as a Mexican immigrant living in the US. My accessories are a reflection of the many tasks I handle each day. “MX chief,” photograph, 2024, 17×20″ My work delves into issues surrounding immigration, politics, stereotypes, and identity. “Lady with a guitar,” photograph, 2025, 5×7″ My work delves into issues surrounding immigration, politics, stereotypes, and identity. “Lady with a Guitar” is made in the style of anthropological specimen photography, which was […] - [Tabacaleros](https://cintiasegovia.com/tabacaleros/): Tobacco LandsMarisa J. Futernick and Cintia Segovia FigueroaJanuary 21–February 20, 2025Artists talk: Friday January 24, 12pmBolivar Art Gallery University of KentuckyArt and Visual Studies Building, 236 Bolivar Street, Lexington, KY “Tabacaleros,” photography installation, 2025 Farm owners have turned to immigrant workers. Striving to make ends meet, these laborers move physically, mentally, and emotionally between their responsibilities in Mexico and the arduous labor in “el norte” (the north). This migration, from the lush fields of Nayarit, Mexico, to the tobacco farms of Kentucky, tells a powerful story of resilience. This summer, I traveled to Nayarit, the place of origin for the […] - [News](https://cintiasegovia.com/news/): News Table of Contents August 18 – September 26, 2025 Reception September 5 at 4:30 pm Hours: Monday – Friday 1 p.m. – 5 p.m. First Fridays 1 p.m. – 7 p.m. ARX Gallery 340 Fredrick Street, Cape Girardeau, MO 63701 Tobacco Lands at South East Missouri State University Marisa J. Futernick and Cintia Segovia Figueroa June 6, 2023 Artist Cintia Segovia Figueroa makes sense of the world through her work Kentucky Lantern Constance Alexander, columnist, poet and playwright wrote a profile article. Here’s an excerpt: “One that catches the eye is Trotamundos, a six-channel video installation. It is an […] - [Alternative Futures](https://cintiasegovia.com/alternative-futures/): venimos a hablar de cosas imposibles porque de lo posible se ha dicho demasiado (we come to talk about impossible things because too much has been said about what’s possible,) 2021, photocollage, 7 2/3×10″ This is a portrait of Marichuy, an independent presidential candidate backed by many indigenous groups. She was popular in rural areas of Mexico, where the internet is almost nonexistent and formal education is a privilege—her registration as a candidate was denied as the electoral system only accepts digital signatures. 2564 Millas Al Sur, 2021, 24×36″ In 1994, an indigenous group in Chiapas, Mexico took up arms […] - [Trotamundos](https://cintiasegovia.com/trotamundos/): https://player.vimeo.com/video/790204863″Trotamundos,” 6 channel video installation, 2023, 06:56 In the last year, I have met many people who were astonished that I moved to Murray, Kentucky, having lived in Los Angeles and being born and raised in Mexico City. This video installation is a way for me to make sense of my emotions and psyche after this journey and how it has changed me. I walk through landscapes in the different cities that have influenced me in a cyclical motion. During the video, the relationship between the male gaze (which the camera represents) and myself is questioned since I am the […] - [Swallow it](https://cintiasegovia.com/swallow-it-2/): https://player.vimeo.com/video/246906458 “Swallow it,” video, 2018, 02:38 This is a collaborative video with artist Michelle Nunes, and the result of our conversations on femininity, male power in Hollywood and the 2016 election. - [](https://cintiasegovia.com/home/) - [Mercado](https://cintiasegovia.com/mercado/): In these digital collages I use representations of the Quinceañera tradition, the Virgin of Guadalupe, Cinderella with aesthetics used in advertising to question the social and professional expectations about Hispanic/Latin women. In “Quinceañera” I explore the stereotype of Cinderella, blonde and slim like a Barbie, in combination with the Mexican tradition where a young woman is presented to society. In “Queso,” I question the religious iconography that is found on the wall in any street market in Mexico, using the visual language of mass media. - [Tacometer](https://cintiasegovia.com/tacometer/): https://player.vimeo.com/video/309678800″Tacometer,” LED monitor, wood, acrylic, vinyl, raspberry pi, speakers, LED lights, 2016-2019, 18″x19.5″x21″ This arcade is inspired on my experience at the ports of entry in United States and Mexico, where immigration officers randomly select travelers to inspect their belongings. When the “Tacometer” is activated by pressing the red button, a digital chicken foot selects between the options: American, Immigrant, Nationalist and Terrorist. The animations show stereotypical images associated with Mexican food and culture. The song that underlines the work is  “La Bamba”, a traditional Mexican song. To this day this song is an anthem for immigration in the US. […] - [Growing up between idols and the vernacular](https://cintiasegovia.com/growingupbetweenidolsandthevernacular/): Right to left:“Revolucionaria”, inkjet print, acrylic, mini lights, 2020, 13″x22″ “Lo Que Me Hubiera Gustado Ser A Los 8 años (What I Would Have Liked To Be At 8 Years Old), inkjet print, acrylic, mini lights, 2018, 13″x22” “Guadalupe”, inkjet print, acrylic, mini lights, 2020, 13″x22″ This series is influenced by vernacular representations of religious icons such as the Virgen de Guadalupe in dialogue with the moral and patriotic ideals enshrined in my pre-adolescent psyche. “Revolucionaria” is inspired by the popularized images of the “soldaderas” a female revolutionary, which had all the responsibilities of a soldier during the Mexican revolution […] - [Gato Encerrado](https://cintiasegovia.com/gato-encerrado/): “Gato Encerrado,” six channel video, four channels of stereo sound, 2017, 17:30 The multiple videos presents the faces of one person and her struggles and contradictions, where the pauses extend the identity of the character. In these performances, with a humorist approach I take on topics such as immigration, stereotypes, racism, identity, politics, and language. My video work utilizes juxtaposition to examine the spaces between cultures, to acknowledge power and inequity, and to create absurdist contemporary mashups of entertainment, politics, and history. (Link to video) – press to see the videos - [Time And Optics](https://cintiasegovia.com/time-and-optics/): “Time And Optics,” video, 2017, 02:49 “Time and Optics” offers an absurdist version of women’s roles in commercial television narratives, where the anchor and the content she delivers are designed to be consumed in a reductive way. - [Ritual Of Judgement](https://cintiasegovia.com/ritual-of-judgement/): https://player.vimeo.com/video/219229737 “Ritual Of Judgement,” performance and installation, 2017-2019, 04:44 “Ritual Of Judgement” is a performance and installation that deals with conceptions of citizenship and procedures to determine “good citizenship” while also questioning the connection between nationalism and language. It combines an immigration interview and an English Accent Reduction class and is staged in an artificial bureaucrat’s office. The class is didactic and the participant is asked to move his/her tongue in uncomfortable positions to generate the appropriate sound, or to modify the emphasis on a word. The correction emphasizes words that a Spanish speaker has problems pronouncing “correctly,” such as […] - [CV](https://cintiasegovia.com/cv/): Cintia Segovia’s CV Solo and two person exhibitions: 2025 Tobacco Lands (two-person), Bolivar Art Gallery, University of Kentucky, Lexington, KY 2025 Tobacco Lands (two-person), The River Campus Art Gallery, Southeast Missouri State University, _____Cape Girardeau, MO 2023 Aperturas y Obstáculos, Clemens Fine Arts Center, WKCTC, Paducah, KY 2019 Repeat After Me / Repitan Después de Mi, University of Dayton, Ohio Selected Group Exhibitions: 2024 Society for Photographic Education, midwest members exhibition, New Harmony, IN 36th Annual Juried Exhibition, Texarkana Regional Arts Center and Humanities Council, Texarkana, Texas 2023 Infinite Weight/Present Stories. University of West Georgia. Juried exhibition Feminist Insight: Continuing […] - [Bio](https://cintiasegovia.com/bio/): Cintia Segovia teaches photography and new media Cintia Segovia Figueroa was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the U.S. as an adult gave her a unique perspective on the nuances of the language. Her photography and socially engaged approach explore themes of immigration, displacement, and bilingualism. She earned an MA from CSU, Northridge, and an MFA from CSU, Long Beach. The Museum of Latin American Art and the National Immigration Law Center have collected her work, and private galleries and museums worldwide have exhibited it, including the Spartanburg Art Museum, […] - [Repeat After Me](https://cintiasegovia.com/workaccent-reduction-class/): “Repeat After Me,” video, 2016, 02:52 The video “Repeat After Me,” offers a cultural critique by playing the role of an accent reduction instructor. Based on the goal of correcting the pronunciation of common words in English that are challenging for Spanish speakers. - [A Big Beautiful Wall](https://cintiasegovia.com/a-big-beautiful-wall/): “A Big Beautiful Wall,” video, 2016, 05:24 The video shows the absurdity of trying to divide two neighboring countries with a wall. Especially when they share products from multi national corporations. Same food, different names. The cultural exchange has also promoted female stereotypes such as the Latina as an exotic object. - [Heads Of State](https://cintiasegovia.com/heads-of-state/): https://player.vimeo.com/video/186159051″Heads Of State,” video 2016, 03:00 The video “Heads Of State,” examines the way the State imposes itself over the will of the people. The dialogue between a robot and a person is not a dialogue at all because they are deaf to each other’s inquiries. It is a false and empty exchange.  The questions in the video are about immigration, surveillance, power, and control. - [Habla Bien Cabrón](https://cintiasegovia.com/habla-bien-cabron/): https://player.vimeo.com/video/155777395″Habla Bien Cabrón,” video, 2016, 04:53 The video “Habla Bien Cabrón,” (Speak well dude) reveals popular American phrases that don’t make sense in Spanish, while also playing with double entendres in Mexican culture that conflate genitals with fruits and vegetables. - [De Chile, Mole y Dulce](https://cintiasegovia.com/de-chile-mole-y-dulce/): undefined - [3.71 miles a day](https://cintiasegovia.com/book-3-71-miles-a-day/):  “3.7 miles a day” book, 2014 This series of digital and traditional photographs document meaningful moments over the course of two years. The photographs reveal sunlight’s efect on the environments I inhabit, as well as nature’s enduring ability to reclaim urban spaces. Many of the images document time spent with my dog, Luna, as we walk about 3.71 miles every day. It is a 40 pages, 7×7″ book. You can order a copy through blurb.   ## Products - [Espacio](https://cintiasegovia.com/product/espacio/): Archival inkjet print on Hahnemuhle paper, 19.7' x15”, One available Shipping: $5, ships within 5 days of purchase Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Tomato Study #1](https://cintiasegovia.com/product/tomato-study-1/): 10” x 6.7”, 35 mm film glicee print, unframed When the pandemic started everyday seemed the same. Suddenly, there was no urgency to do anything but the future just held uncertainty. When photographing in film time goes by slowly as the media doesn’t provide an immediate reward, there’s also uncertainty when one develops the film. This photograph was made, developed, scanned and printed at home during the pandemic. - [Flowers 20](https://cintiasegovia.com/product/flowers-20/): Flowers 20, by Cintia Segovia archival pigment print, unframed 8.6x11.5", Edition of 50 Shipping: $10 "Sometimes reality is not enough and an adventure to a new place is in order" Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Quinceañera](https://cintiasegovia.com/product/quinceanera/): inkjet print, unframed 15.6"x18.7" 1 available Shipping: $5, ships within 5 days of purchase Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [I feel I need](https://cintiasegovia.com/product/i-feel-i-need/): archival pigment print, Unframed, 8"x12”, $85 Edition of 50 Shipping: $10 "Organic shapes that we find in fruits and vegetables are imitated by the designs of products that make our everyday life easier and better. The line blurs between basic needs and the desire to consume technology." Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Lo Que Me Hubiera Gustado Ser A Los 8 años](https://cintiasegovia.com/product/lo-que-me-hubiera-gustado-ser-a-los-8-anos/): “Lo Que Me Hubiera Gustado Ser A Los 8 años (What I Would Have Liked To Be At 8 Years Old), inkjet print, acrylic, mini lights, 2018, 13″x22” Shipping: $150 This series is influenced by vernacular representations of religious icons such as the Virgen de Guadalupe in dialogue with the moral and patriotic ideals enshrined in my pre-adolescent psyche. “Revolucionaria” is inspired by the popularized images of the “soldaderas” a female revolutionary, which had all the responsibilities of a soldier during the Mexican revolution except by that they weren’t offered any payment for their services. “Lo Que Me Hubiera Gustado Ser A Los 8 años (What I Would Have Liked To Be At 8 Years Old)” takes the Japanese anime “Sailor Moon”, a popular cartoon in the 1990’s in Mexico and mashes it with post feminism and indigenous symbolism. “Guadalupe” depicts the green hood with stars seen in images of the Virgin Mary across the Americas with the children’s tale of Little Red Riding Hood, and modern consumerism. All of these reflect the internal dialogue and struggle present in all Latinx, at least of my generation, who were bombarded with western consumerism and the virtuous idols we were encouraged to emulate. - [Respiracion 1](https://cintiasegovia.com/product/respiracion-1/): Inkjet Print, Unframed 8"x10" Shipping: $5 Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Birds](https://cintiasegovia.com/product/birds/): Birds, 2020 8" x 10" Photograph, unframed Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Warmth](https://cintiasegovia.com/product/warmth/): archival pigment print, unframed 6"x5.7" image size, paper size 8"x8" Shipping: $5 Edition of 50 "I appreciate the warmth of this plant colors and the simplicity of its shapes. This flower is popular in Mexico all year round and especially on Day of the Dead." Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Reach Up](https://cintiasegovia.com/product/reach-up/): giclee print 10.5x10.7" Edition of 50 Shipping: $10 "This work imagines that in the urban landscape, flooded with concrete, asphalt and geometry; nature unwinds its colors and organic shapes." Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Piña Navideña](https://cintiasegovia.com/product/pina-navidena/): “Piña Navideña,” photograph, acrylic, Christmas lights, 2020, 18″x18″ Shipping: $150 “Piña Navideña” is inspired by the representations of women as hopeful and stoic soldiers for the Communist Revolution in paintings and propaganda during the 1920’s. Takes on nationalist sentiments were popularized in yearly calendars when I was growing up in Mexico and put on the walls in the local markets and “carnicerias” (butchershops). - [A Glimpse Of Hope](https://cintiasegovia.com/product/a-glimpse-of-hope/): Reflejos En Naturaleza, 2020 8" x 12", Edition of 50 archival pigment print, unframed Shipping: $10 "The nature is alive and breathing, I can feel in my face the bright and cool sun and a slight breeze. I am part of this planet and I'm responsible for keeping it clean." Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Orquidea](https://cintiasegovia.com/product/orquidea/): giclee print 8"x12" Edition of 50 Shipping: $10 This work plays with the massive proportion of the orchid which, in contrast to the size of the building, could seem ominous but in this case it presents an alternative, the possibility of something new. This image combines analog and digital technology. The photograph is a slide roll double exposure, which makes the colors more vivid. The drawing is inspired by a collage of photographs and made with oil pastel. Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Aves del Paraiso](https://cintiasegovia.com/product/aves-del-paraiso/): giclee print, 8"x10" Edition of 50 Shipping: $10 These birds of paradise remind me of humid afternoons with a reddish sunset like the summers in Mexico, with intense colors and plants with large leaves. The background photograph was taken with an analog camera and black and white film. The inspiration for the birds of paradise is a photograph taken in Mexico and enhanced with oil pastel. This image not only combines different years and countries, but analog and digital technology. Cintia Segovia was born and raised in Mexico City, where she worked in the entertainment industry. Learning English in the US as an adult brought a unique perspective on the language’s nuances. Ms. Segovia employs video, performance and photography in the way the mass media does, using humor and wit to delve into issues of immigration, cultural stereotypes, identity and being bilingual. As both an insider and outsider, she looks at the machinations of American culture. Ms. Segovia has shown at: The Museum Of Latin American Art, Los Angeles Municipal Art Gallery and Torrance Art Museum - [Amexameca](https://cintiasegovia.com/product/amexameca/): Archival Pigment Digital Print Image Size: 10.5"x10.5", Paper Size: 12.5" x 12.5" Unframed Limited Edition of 50 Shipping $10 [comment]: # (Generated by Hostinger Tools Plugin)